An affordable a polyphonic synthesizer with
memory and Midi, also known as "PPP" Programmable, Preset and Polyphonic in eighties slogans
KEYBOARD 61 keys (five octaves DO-DO) lightweight plastic with no
Velocity, although some later OS (on Eprom) supports just velocity IN. On the left side there is a Pitch bender with a three range switch and a button for LFO retrig modulation. The pannel has just a few controls for editing: HOLD sustain , BRILLANCE filter , CHORUS on/off and TRANSPOSE key (a whole Octave) ; for more editing facility you can still use an external programmer called Pg-200 (see below).
Behind the synthesizer there are the following connections: Footswitch Sustain (same as pannel) , Clock In for sequencer (Pulse), Stereo Ouput jacks, Tape I/o, Midi I/o and input for External controller PG-200 NOTA: a switch will chose to use MIDI or PROGRAMMER since you CAN' T use both in the same time... a very big rip-off!
The rackmount version is called "Mks30" but it seems to sound a bit different : the filter structure is different with some
(delicate) 80017a like Juno 106
VOICE two detunables DCOs per voice for a maximum of six notes of polyphony with variable Octaves height 4' 8' or 16' and a series of selectable waveforms including Ramp, Squares with two predefined PWM % and a white noise (only on DCO2).
The DCOs can be hard synched or Crossmodulated for a kind of ring modulation
effect called "METAL"
FILTER analog VCF Multimode with a very good resonant -24db LOW PASS and classical Roland non-resonant High Pass (like Juno 6)
LFO One Low frequency oscillator with three waveforms: SQUARE , SAW and Sample & HOLD however a fourth waveform Noise Random is available only with direct
JX3P programmation (not accessible by PG-200)
The LFO has Delay Start and can be routed to FILTER and
PITCH be triggerable start with the "LFO trigger button" . Nota: doesn't have very high Frequency
FX Stereo analog Chorus for a very retro lush touch to your
recording resulting "bright" and "living" in a mix
MEMORY RAM is splitted into four banks each 16 patches called A B C D: the
first two are ROM presets, while others are user free and battery backuped up.
There's no sysex dump or else : you have to deal with obsolete tape player
MIDI interface is quite simple and accept very basic messages like
Note ON or OFF. NOTA: some third
part company made a new set of hardware OS that expand the its protocol
with a full spectrum of Control Change for each parameters, and full Midi Sysex dump handling for library.
SEQUENCER a very nice feature easy to understand
and quite "analog like feel" with 16
steps (max 128) with Fill function, Note insert (up to six) or Pause step .
The Tempo has its own pot or can be synched to external trigger signal.
THE ROLAND PG-200 PROGRAMMER Programming is not really fun on raw Jx3p: one parameter
per time with a single DATA slider, so the best solution
is the dedicated programmer Pg-200 the box with a lot of old
fashioned pots ! Wired thru a custom six pins cable, the data flows is quick but not recordable. The PG is getting hard to find with high price but gives really power to the JX3P
- affordable
- filter
-sequencer
- Oscillators
- Needs pg
- Storage
read users reviews
Download pdf Manual
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electricity : all with Jx3p and overdub (but drums)
Lfo test
Sequence and filter test
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Some ROLAND jx3p brochure scans
ADVERTISING FROM ROLAND
A sleek space age instrument, the JX-3P is an exciting mix of sophistication and simplicity.The latest interface technology (MIDI), a Polyphonic Sequencer with Tape Storage,12 Digitally Controlled Oscillators, and Sixty-four Patch Memories are only some ofthe features available on lhe JX-3P, The JX-3P is so simple to operate that most of its soundparameters can be changed by the same two
controls in the Edit section.Combining the versatility of progammable synthesizer (32 patch memories) and the convenience of a preset (also 32 patch memories), the JX-3P is a six voice polyphonic synthesizer that uses twelve DCO's to achieve the big sound that is so popular.The Preset section offers a broad vocabularyof musical sounds including the most sought after simulation patches (Strings, Brass. and other acoustic instruments) found in banks A and B of the JX-3P Cross Modulation, which is used to create metalic sounds and Ring Modulator ettects, is included on the JX-3P Six VCF's, Six VCA's, six Envelopes are combined with the extensive Modulation controls to give the JX-3P user all the tools necessary to create that"perfect patch" Stereo Chorus, External Trigger for the Sequencer. Hold pedal connection, and Key Transpose add professional features to the JX-3P, A superlative performance control section that Includes an extra large Bender with three different modes of operation and separate LFO Trigger Pad are the finishing touches on a versatile performer.
All
manuals (free of charge), trademarks are just for info purpose.Nothing should
be considered as advertising, and I stricly express my point of view on review.Names and other trademarks are the property of the respective trademark
holders.Ask to have material: don't rip.All sounds and snapshots by Eric
Pochesci- except marked *Snapshot watermarked to avoid Ebay scamms and fraud.WARNING Some mp3 contains
very high frequencies and COULD damage your speakers, pay attention to volume!