The k5000 series mix additive synthesis with PCM samples waveforms.
Direct Kawai K5 descendant plus a lot of new features with enhanced technology: simply one of the most intriguing synthesizer ever made.
KEYBOARD (weight: 14 Kg) 61 velocity keys with aftertouch.
Main panel features 240 x 64 pixels, 1 data wheels, 58 push button and 12 knobs for real-time parameters
On the left side there are 2 wheels for modulation and pitchbender.
Back panel terminal connectors:
1 pedalswitch input
1 expression pedal input
- 2 assignable pedalswitch inputs
- Midi interface
VOICE core CPU Risc-32 manage 32 digital voices based on DAS DSP ADVANCED SYNTHESIS.
A basic k5000 patch is composed by 6 digital oscillators or elements
Each DAS elements can be either a:
DSP additive wave
PCM sample wave
ADDITIVE ELEMENT DSP generates 128 digital sinewaves harmonic can be summed following the Fourier principle. The sinewaves are split into 2 harmonic groups, each counts for 1 element:
- harmonic group1 : from 1 to 64
- harmonic group2 : from 64 to 128
The relative harmonics levels can be set in 3 different ways:
DHL: istep by step values entries
- DHE: EG envelope
6 Macro templates of harmonic groups: bright, odd, even, octave, 5th and whole-harmonics selection.
One of the most interesting features is the Morphing function which is able to record up to 4 harmonics snapshots with progressive interpolation values for a smooth motion.
PCM ELEMENT subtractive synthesis is a 16 bits ROM that holds a total of 123 PCM waveforms split into different categories
PCM acoustic instruments
- PCM transient attack PCM (like Roland D-50)
ENVELOPE there are 5 EG in total:
- amplitude osc: 4 segments+ 2 levels
- pitch osc: 4 segments+ 2 levels
- standard filter: 4 segments+ 2 levels
- formant filter: variable structure
- harmonic: variable structure
Every harmonics has its own EG with possible loops scan between decay segments
FILTER the DCF is multimode
highpass (PMC+ ADD)
lowpass (PMC+ ADD)
Formant filter (ADD) is a 128 bands resonant comb-model, defined by 128 DFL steps and each step contains 2 values for both level and envelope. TIP:
for quick edit it is possible to fill steps using the macro bands selections (5-10-15-20-ALL).
LFO 4 digital modulators and 4 destinations:
The modulators have no synth or retrig mode, but offers 4 waves: triangle, saw, random and square
MEMORY the RAM holds:
256 RAM patches
- RAM doubles if special memory expansion model Me-1 is fitted.
Sounds and performances can be saved either to Midi Sysex dump or to internal 1.44 MB disk drive
which file system is PC MS-Dos file system.
MIDI quite all parameters can be controlled by Midi Control Change and K5000S outputs the frontal knobs as standard CC# values.
ARPEGGIATOR really complete with adjustable octave range, hold, random notes, gate velocity. The arpeggios are midi-ouput to other devices and they can be synched to external Midi clock tempo. TIP: IMPORT function loads short Midi files into special slots for creative arpeggios edit.
K5000S RELATED MODELS:
K5000 W bigger wavetable, performance parts, an internal sequencer, but no real time knobs.
K5000R2 units rack with no control knobs for edit, but parameters can be accessed with external control change or directly with the Kawai box Macro Control.
YOUTUBE VIDEO CLIP SELECTION
Kawai K5000S Wicked Soundscapes
Mystique Sounds of Kawai k5000
- unique sound
- macro knobs / Midi
- little memory
-not so easy to tame
"A true unique synth! really not so easy until you get into the logic--- hundreds of hours for some truly magic inspiring sounds! "