A BIT OF HISTORY INTRODUCING THE COMMODORE 64. The SID is a 28-pin DIP-capsule chip from 8 bits computer Commodore 64 released on the market in 1982, the biggest computer sale in the world ever! The SID is a mixture of digital and analogue technology with phase accumulated oscillators and analogue multimode NMOS filter.
Direct code programming was quite hard, so Elektron made a version for musician enclosing the mythical chip in a silver box with full Midi control, featuring high speed bus access ... and best of all... nostalgic charm.
SID is a cult amongst aficionados and programmers whom squeezed this chip for over 20 years!
VOICE subtractive synthesis SID hybrid analog-digital generating a total of three Oscillators each with five different waveform: Triangle, Sawtooth, Pulse+Width, Mixed and Noise.
The 3 Oscillators have DETUNE ratio and can be all pitch-hard synched and Ring-modulated (if flagged for an oscillator it modulates the numeric previous one) and each has a Delay Start for a kind of Echo effect. Original SID had a high noise-level for various reasons, but the new design isolated SOME of this using dedicated buses, anyway but be prepared to gate many background noises.
Basic patch is build selecting of the 2 standard playmodes Polyphonic or Monophonic with possible Legato play and adjustable Portamento rate.
WAVEFORM a special wavetable modes allows waveform cycling each with loop Start-End, a bit like Korg Wavestation but more basic: you can define each step (up to 32) with note, filter type and its Cutoff values, length and others parameters. Wavetable is THE key for fantastic sweeping sequence like you heard in old CBM64 games by guru Martin Galway.
MULTIMBRAL not really multitimbric, but it features a special polymode to play the three oscillators in polyphonic way for some retro-chords- but they cannot be assigned to different Midi channels.
FILTER two poles multimode resonant filter with Cutoff range from 30 Hz to 12 kHz Lowpass/ Bandpass/ Lowpass/Band-pass/ High-pass/Band reject/ Bandpass + High-Pass and special ALL mode that activates all modes in the same time... not sure if really usable or I did miss the point.
ENVELOPE four EG in total, each with 4-stages fixed times in Milliseconds: 3 for each Oscillator Amplitude + 1 for filter.
ARPEGGIATOR each voice has its own arpeggio patterns with internal clock or syncable to external Midi, in fact different units can be linked for great arpeggios sessions.
LFO four modulators featuring Frequency, Delay Start and six waveforms (Triangle, Sawtooth / Ramp / Square / Random / Flat) plus special parameters like Polarity inversion and special ABZ mode that change negative values into positive ones.
LFO have various source and destination modulation:
- SOURCE: Modulation Wheel, Pitch bend, Velocity, Aftertouch.
- DESTINATION: LFO depth-source-frequency-sample and hold and LACE.
Lace control interleaves a LFO with another one for a chopped sound-like effect.
MEMORY based on Flash memory with 100 RAM patch, no ROM nor external card only computer Midi Sysex dump. If you have corrupted memory, try a reset with this procedure described on the right column.
MIDI professional made: all parameters are Control Changes are implemented, very flexible and with full Sysex dump. Sync option to get external Midi CLOCK at various PPQ (96-3) for perfect timing with Arpeggiator and LFO.
NINJA EDITION (50 produced)
Special limited black Sidstation edition with black case, blue leds and a different soundset, but essentially this is the same machine.